I think this truly is the end...

Maureen Dowd:

In a ruined city - still largely without power, stinking with piles of garbage and still 40 percent submerged; where people are foraging in the miasma and muck for food, corpses and the sentimental detritus of their lives; and where unbearably sad stories continue to spill out about hordes of evacuees who lost their homes and patients who died in hospitals without either electricity or rescuers - isn't it rather tasteless, not to mention a waste of energy, to haul in White House generators just to give the president a burnished skin tone and a prettified background?

The slick White House TV production team was trying to salvage W.'s "High Noon" snap with some snazzy Hollywood-style lighting - the same Reaganesque stagecraft they had provided when W. made a prime-time television address from Ellis Island on the first anniversary of the 9/11 attacks. On that occasion, Scott Sforza, a former ABC producer, and Bob DeServi, a former NBC cameraman and a lighting expert, rented three barges of giant Musco lights, the kind used for "Monday Night Football" and Rolling Stones concerts, floated them across New York Harbor and illuminated the Statue of Liberty as a backdrop for Mr. Bush.

Before the presidential address, Mr. DeServi was surveying his handiwork in Jackson Square, crowing to reporters about his cathedral: "Oh, it's heated up. It's going to print loud."

As Elisabeth Bumiller, the White House reporter for The Times, noted in a pool report, the image wizards had put up a large swath of military camouflage netting, held in place by bags of rocks and strung on poles, to hide the president from the deserted and desolate streets of the French Quarter ghost town.