So this is what that's about:Someone shoot me pic.twitter.com/ud84LPFPA4
— New York Times Pitchbot (@DougJBalloon) May 2, 2024
"This is the New York Times’ performative objectivity: publishing a stupid piece by [Schmitz] that depicts a traitorous criminal as an 'outlaw hero,'" Jacob scoffed. "[The Times] apparently will treat this crisis like a Netflix series until the last editor is led out of the newsroom at gunpoint."
"Lil Pump and Bandman Kevo have criminal records, a distinction they share with 70 million to 100 million other Americans," Schmitz writes, "comparable to the roughly 100 million who have college degrees. It’s possible that a rap sheet is a political asset."
Trump's public image is not Robin Hood, or Jesse James. It's closer to Al Capone, with a touch of the Joker thrown in. He's going to burn the place down, but make sure he comes out on the other end with his pockets full of loot.
— James Surowiecki (@JamesSurowiecki) May 2, 2024
All good points, but I still come back to the brevity and clarity of the NYT Pitchbot. I'm still not sure how that column merits column inches at the vaunted Grey Lady.Times op-ed buys Trump efforts to paint him as "the outlaw hero, a figure of defiance with deep roots in American culture who exposes the injustices and hypocrisies of a corrupt system."
— Jeff (Gutenberg Parenthesis) Jarvis (@jeffjarvis) May 2, 2024
No, he's a fascist.
Trump Embraces Lawlessness, but in the Name of a Higher Law…
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