Four poems by Wendell Berry, from Given (Shoemaker Hoard, Washington, D.C., 2005).
THE FUTURE
For God's sake, be done
with this jabber of "a better world."
What blasphemy! No "futuristic"
twit or child thereof ever
in embodied light will see
a better world than this, though they
foretell inevitably a worse.
Do something! Go cut the weeds
beside the oblivious road. Pick up
the cans and bottles, old tires,
and dead predictions. No future
can be stuffed into this presence
except by being dead. The day is
clear and bright, and overhead
the sun not yet half finished
with his daily praise.
THE REJECTED HUSBAND
After the storm and the new
stillness of the snow; he returns
to the graveyard, as though
he might lift the white coverlet,
slip in beside her as he used to do,
and again feel, beneath his hand,
her flesh quicken and turn warm.
But he is not her husband now.
To participate in resurrection, one
first must be dead. And he goes
back into the whitened world, alive.
X (from Sabbaths 2002)
Teach me work that honors Thy work,
the true economies of goods and words,
to make my arts compatible
with the songs of the local birds.
Teach me patience beyond work
and, beyond patience, the blest
Sabbath of Thy unresting love
which lights all things and gives rest.
VI (from Sabbaths 2003)
The yellow-throated warbler, the highest remotest voice
of this place, sings in the tops of the tallest sycamores,
but one day he came twice to the railing of my porch
where I sat at work above the river. He was too close
to see with binoculars. Only the naked eye could take him in,
a bird more beautiful than every picture of himself,
more beautiful than himself killed and preserved
by the most skilled taxidermist, more beautiful
than any human mind, so small and inexact,
could hope ever to remember. My mind became
beautiful by the sight of him. He had the beauty only
of himself alive in the only moment of his life.
He had upon him like a light the whole
beauty of the living world that never dies.
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