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Sunday, April 05, 2026

Later That Same Easter Sunday

This is one of those “later” posts I was talking about.

Who is the third who walks always beside you?

When I count, there are only you and I together

But when I look ahead up the white road

There is always another one walking beside you

Gliding wrapt in a brown mantle, hooded

I do not know whether a man or a woman

—But who is that on the other side of you?

T.S Eliot, "The Waste Land"

So....Emmaus.

Stop me if you heard this one:  two guys are walking down the street, talking about a third guy who's not there because he's dead.  And that's what they're talking about; that he’s dead. And a stranger asks them what they're talking about, and they fill him in while thinking "Is this guy from out of town or something?"  And they get to a diner, and they invite him in to have dinner with 'em (seemed like the thing to do, ya know?) and in the middle of the meal suddenly they realize this guy is the guy they were talking about!  Who's supposed to be dead, but maybe not!  And then, as sure as he was there, this guy they were talking about, he's gone!

Waddya make o' that?

Now that same day two of them were traveling to a village named Emmaus, about seven miles from Jerusalem.  They were engaged in conversation about all that had taken place.  And it so happened during the course of their discussion, that Jesus himself approached and began to walk along with them. But they wouldn't recognize him.

He said to them, "What were you discussing as you walked along?"

Then they paused, looking depressed.  One of them, names Cleopas, said to him in reply, "Are you the only visitor to Jerusalem who doesn't know what happened there these last few days?"

And he said to them, "What are you talking about?"

And they said to him, "About Jesus of Nazareth, who was a prophet powerful in word and deed in the eyes of God and all the people, and about how our ranking priests and rulers turned him in to be sentenced to death, and crucified him. We were hoping that he would be the one who was going to ransom Israel. And as if this weren't enough, it's been three days now since all this happened. Meanwhile, some women from our group gave us quite a shock. They were at the tomb early this morning and didn't find his body. They came back claiming even to have seen a vision of heavenly messengers, who said that he was alive. Some of those with us went to the tomb and found it exactly as the women had described; but nobody saw him."

And he said to them, "You people are so slow-witted, so reluctant to trust everything the prophets have said! Wasn't the Anointed One destined to undergo these things and enter into his glory?" Then, starting with Moses and all the prophets, he interpreted for them every passage of scripture that referred to himself.

They had gotten close to the village to which they were going, and he acted as if he were going on. But they entreated him, saying, "Stay with us; it's almost evening, the day is practically over." So he went in to stay with them.

And so, as soon as he took his place at table with them, he took a loaf, and gave a blessing, broke it, and started passing it out to them. Then their eyes were opened and they recognized him; and he vanished from their sight.

--Luke 24:13-31, SV 

"That same day" is the day we now call Easter Sunday.  It's the day of the resurrection.  "Two figures in dazzling clothing" (Luke 24:4b, SV) appeared at the tomb and announced the resurrection, but in Luke's version nobody has seen anything of Jesus yet.  And when they do, they don't know who he is.  Not until he eats with them at table.

It still surprises me this story isn't read at every eucharist.  Among the gospels, it is the only story where Jesus is revealed in taking a meal.  Yes, John has Jesus cooking fish on the beach, and eating it, but the disciples know it's Jesus when they walk up to him.  They're surprised to see him, but they know it's him.  Here two strangers to the audience of Luke's gospel share a meal with the man they've been mourning for three days; and they don't realize it until the bread is broken. If that's not a reference to the eucharist, I don't know what is.

But is the bread now his body?  Is that what Luke is saying? Does Jesus still have a body?  He seems to, but they don't recognize it; and as soon as they do, he leaves.  He vanishes; he disappears. Need I say, bodies don’t do that?

Don't overlook the gesture of hospitality, either.  I think that's more important here than ever we credit.  Abraham was visited by God in the three strangers who came to his tents at Mamre.  They stopped because Abraham invited them to.  They ate because he offered the meal.  Jesus stops at Emmaus because Cleopas and his unnamed friend invite him to, little knowing who he was.  But Abraham didn't know who was at his tent, either.  They were strangers, and he offered them the comforts of his home.  Cleopas and his companion offered a meal, probably at the home of one of them (there really weren't any restaurants as we imagine them, certainly not in a village like Emmaus.  I've lived in villages that small.  The one restaurant that was there while I was, was run out of an old home; and it didn't last long.  To offer someone a meal was to invite them into your home.  How many of us do that for strangers?).  Hospitality is a key aspect of Christ's teachings, but we overlook it.  We don't spend much time thinking about even his teachings on humility:  "The first of all will be last and servant of all."  We elevate "servant" to a position of public authority and honor, and while we more highly esteem the office holders who say they are the "servant of the people," that's not the meaning Jesus had in mind.  Servants served in households.  They served who ever came into that house, sat at that table.  Maybe today we should say "waitress of all."  And without even tips.

The Emmaus story is unique in the gospels.  There's no echo of it in John's post-resurrection stories, or in Matthew's.  Mark has one in the longer ending; it echoes Luke, almost:

A little later he appeared to two of them in a different guise as they were walking along on their way to the country.  And these two returned and told the others.  They did not believe them either.

But that longer ending could come from the same source as Luke’s. It certainly post-dates the original Mark, which ends with people running frightened from the empty tomb. Jesus' post-resurrection appearance in Mark is to Mary of Magdala, "from whom he had driven out seven demons."  But no one believes her; and they don't believe the unnamed two, either.

In Matthew, he appears to Mary of Magdala and "the other Mary," and the 11 go to the place in Galilee where the two women have told them to, and there they see Jesus, "though some were dubious."

In Luke, the Emmaus story leads directly into an appearance by Jesus among the 11, where he eats some fish (did he even taste the bread the first time?) to prove he's not a ghost.  Matthew has mentioned that the priests and elders bribed the guards to say the disciples stole the body, so stories were already about, challenging the gospel narratives.  John tells several stories to prove Jesus is no ghost; but no one says quite what he is now.  In Luke he teaches the disciples a bit more, and then leads them out to Bethany (!), where he ascends into heaven, proving he is no longer of this earth, even if he isn't a ghost.  (Bethany finally earns a mention in Luke here; it is the site of the anointings in the other three gospels).  It's the most interesting of the resurrection stories because it involves hiddenness (or disguise), revelation, appearance/disappearance, confusion, and strangers.  The two men in the story are strangers to us, the audience, which makes Jesus as a stranger even easier to grasp.  They should know him, but we don't know that clearly, because we don't know them.  We know Jesus, and think we'd have recognized him when these two (strangers to us, and therefore dismissible), don't.  But then, we are not among the 11; why would we do better? And why does Jesus appear to them, and not the 11; or Mary Magdalene, or "the other Mary"?  Where does Luke get this story, and, like his version of the anointing, what is he trying to tell us with this version of events?  A version unlike any other in the gospels, and yet as similar to them as his anointing is to the other three.

The story of Emmaus is no small thing.



(The painting, by the way: Caravaggio, capturing the gesture that reveals Jesus. Is it a familiar gesture? Or do they suddenly recognize Jesus? Either way, put it in motion and just after this frozen moment, Jesus vanishes. There in the picture…and then gone. No small thing, indeed.)

Tuesday, March 31, 2026

Reading The Lectionary In Holy Week

Isaiah 42:1-9

The servant of God brings justice

Here is my servant, whom I uphold, my chosen, in whom my soul delights; I have put my spirit upon him; he will bring forth justice to the nations.

He will not cry out or lift up his voice or make it heard in the street;

a bruised reed he will not break, and a dimly burning wick he will not quench; he will faithfully bring forth justice.

He will not grow faint or be crushed until he has established justice in the earth, and the coastlands wait for his teaching.

Thus says God, the LORD, who created the heavens and stretched them out, who spread out the earth and what comes from it, who gives breath to the people upon it and spirit to those who walk in it:

I am the LORD; I have called you in righteousness; I have taken you by the hand and kept you; I have given you as a covenant to the people, a light to the nations,

to open the eyes that are blind, to bring out the prisoners from the dungeon, from the prison those who sit in darkness.

I am the LORD; that is my name; my glory I give to no other, nor my praise to idols.

See, the former things have come to pass, and new things I now declare; before they spring forth, I tell you of them.
So I’m inspired to review the daily lectionary for Holy Week. This is actually Monday’s readings, but there’s a theme here, so I want to start with it even though it’s a day late. 

What Isaiah describes here is what I call the power of powerlessness. God, in God’s own telling, is supreme:

Thus says God, the LORD, who created the heavens and stretched them out, who spread out the earth and what comes from it, who gives breath to the people upon it and spirit to those who walk in it: 

And has a covenant with the children of Abraham:

I am the LORD; I have called you in righteousness; I have taken you by the hand and kept you; I have given you as a covenant to the people, a light to the nations, 

That covenant has a purpose, which is not just to make Israel a nation:

to open the eyes that are blind, to bring out the prisoners from the dungeon, from the prison those who sit in darkness. 
To bring, in other words, God’s salvation to the world. The blind, the prisoner; that’s literal, not some metaphorical pseudo-spiritual “miserable sinner that I am”/Amazing Grace” sense. Real blindness; real imprisonment; in the dungeons, where the forgotten languish. If the light doesn’t reach them, what’s the point of it?

And how will this happen? By works of power and physical dominance? No. By powerlessness:

Here is my servant, whom I uphold, my chosen, in whom my soul delights; I have put my spirit upon him; he will bring forth justice to the nations. 

He will not cry out or lift up his voice or make it heard in the street; 

a bruised reed he will not break, and a dimly burning wick he will not quench; he will faithfully bring forth justice. 
The spirit of God is a cry for justice, but it is not a fight, a clarion call “Aux armes, les citoyens!” God’s justice comes peacefully, quietly; relentlessly.

He will not grow faint or be crushed until he has established justice in the earth, and the coastlands wait for his teaching. 
Because the spirit of God is faith, is trust, is patience. “All shall be well, and all shall be well, and all manner of thing shall be well.” When the fire and the rose 🔥🌹are one? No; in God’s time. Have faith; hold fast to trust; be patient. And you will behold the power of powerlessness.
Psalm 36:5-11

Refuge under the shadow of your wings

Your steadfast love, O LORD, extends to the heavens, your faithfulness to the clouds.

Your righteousness is like the mighty mountains; your judgments are like the great deep; you save humans and animals alike, O LORD.

How precious is your steadfast love, O God! All people may take refuge in the shadow of your wings.

They feast on the abundance of your house, and you give them drink from the river of your delights.

For with you is the fountain of life; in your light we see light.

O continue your steadfast love to those who know you and your salvation to the upright of heart!

Do not let the foot of the arrogant tread on me, or the hand of the wicked drive me away.
The psalm is a prayer of faith and trust. It is more for the heart than the mind; although the two are not separate, not apart from each other. But we’ll leave the psalm today as a heartfelt prayer, a cri de couer.
Hebrews 9:11-15

The blood of Christ redeems for eternal life

But when Christ came as a high priest of the good things that have come, then through the greater and more perfect tent (not made with hands, that is, not of this creation),

he entered once for all into the holy place, not with the blood of goats and calves, but with his own blood, thus obtaining eternal redemption.

For if the blood of goats and bulls and the sprinkling of the ashes of a heifer sanctifies those who have been defiled so that their flesh is purified,

how much more will the blood of Christ, who through the eternal Spirit offered himself without blemish to God, purify our conscience from dead works to worship the living God!

For this reason he is the mediator of a new covenant, so that those who are called may receive the promised eternal inheritance, because a death has occurred that redeems them from the transgressions under the first covenant.
I’m going to start with the second verse there, because I’m more interested in elucidation than exegesis. I just want to point out a few points of interest, places where I think misunderstanding can intrude. 

So when scripture uses the metaphor of the tent, it’s a reference to the Exodus, to the years in the desert, to the time before the Temple in Jerusalem. But the real issue is here:
… then through the greater and more perfect tent (not made with hands, that is, not of this creation), 
Which might be misread as a dichotomy between Jesus (homoiousias/homoousias) (holy; good) and creation (fallen; bad). That’s a reading from several centuries later. The letter to the Hebrews is merely upholding the understanding that, while God is Creator, what is created is neither homoousias nor homoiousias with God; but Jesus is. Take that from it, and you’ll be fine.

As for the blood…well, connect the idea of fluids to the anointing story from John, the last of four in the gospels; and the only story, besides the crucifixion, that show up in all four gospels (and before you object, no, Mark does not have a resurrection; only an empty tomb. The longer ending is much later than the original ending.)
John 12:1-11

Mary of Bethany anoints Jesus

Six days before the Passover Jesus came to Bethany, the home of Lazarus, whom he had raised from the dead.

There they gave a dinner for him. Martha served, and Lazarus was one of those reclining with him.

Mary took a pound of costly perfume made of pure nard, anointed Jesus's feet, and wiped them with her hair. The house was filled with the fragrance of the perfume.

But Judas Iscariot, one of his disciples (the one who was about to betray him), said,

"Why was this perfume not sold for three hundred denarii and the money given to the poor?"

(He said this not because he cared about the poor but because he was a thief; he kept the common purse and used to steal what was put into it.)

Jesus said, "Leave her alone. She bought it so that she might keep it for the day of my burial.

You always have the poor with you, but you do not always have me."

When the great crowd of the Jews learned that he was there, they came not only because of Jesus but also to see Lazarus, whom he had raised from the dead.

So the chief priests planned to put Lazarus to death as well,

since it was on account of him that many of the Jews were deserting and were believing in Jesus.
This is where things get tedious, because the anointing stories absolutely fascinate me. This is almost the only time a story in the synoptics shows up in John, and owes so much to Luke, the only gospel closer in chronological time, to our time; save John’s. I’ve got the Scholars version at hand, so I’m going to cheat and use that one now:

Six days before Passover Jesus came to Bethany, where Lazarus lived, the one Jesus had brought back from the dead.  There they gave a dinner for him; Martha did the servince and Lazarus was one of those who ate with him. Mary brought a pound of expensive lotion and anointed Jesus' feet and wiped them with her hair. And the house was filled with the lotion's fragrance.  Judas Iscariot, the disciple who was going to turn him in, says, "Why wasn't this lotion sold? It would bring a year's wages, and the proceeds could have been given to the poor. (He didn't say this because he cared about the poor, but becasue he was a thief.  He was in charge of hte common purse and now and again wouild pilfer money from it.)

"Let her alone," Jesus said.  "Let her keep it for the time I am to be enbalmed.  There will always be poor around; but I won't always be around.

--John 12:1-8, SV

So that's it:  8 verses and done.  But the scene in John’s gospel is Bethany. Lazarus, a character in a parable in Luke (the only other time the name appears in the gospels), is now the dead brother of Mary (Lazarus dies in the parable, too). Lazarus has been raised from the dead, which is why the chief priests are upset (actually the Romans killed Jesus, but the surest way to be the next on a cross was to hint that execution was in any way unjust. Much safer to blame Judean religious authority.). Now the time is the days before Passover; and Jesus, he does in Mark and Matthew, refers to the act as a foreshadowing of his death.  But two very important elements have shifted, perhaps through Luke's lens:  now the perfume goes on Jesus' feet, and again, a woman wipes his feet with her hair.  Only this time the woman is named, so perhaps now we can tell this story "in remembrance of her," at least in the modern understanding of "remembrance."

It's interesting, the similiarities between this story and the stories in Matthew and Mark.  There aren't that many commonalities between John and the Synoptics.  John the Baptizer plays an important role in the gospels of Mark and Matthew, a role that reaches its zenith in Luke's gospel, where he begins with the appearance of Gabriel to John's father, Zechariah. In John's gospel the Baptizer appears as a bystander, someone who literally comments on Jesus as Jesus walks by.  No one in John's gospel gets to share center stage, however briefly, with Jesus.  John's gospel has no Sermon on the Mount (Luke)/Plain (Matthew), and precious few parables.  In the synoptics, Jesus' miracles are "acts of power" (dunamis) in the original Greek; in John's version they are "signs"  (semeia). So the resurrection of Lazarus is a "sign" of Jesus' authority and power, and it is precisely that sign which leads to the crucifixion:

When the huge crowd of Judeans found out he was there, they came not only because of Jesus but also to see Lazarus, the one he had brought back from the dead.  so the ranking priests planned to put Lazarus to death, too, since because of him many of the Judeans were defecting and believing in Jesus.

John 12:9-11, SV

The "sign" of Lazarus was costing the priests their power; at least in John's narrative.  I’ve mentioned before that the cleansing of the Temple seems to have been the historical impetus for the crucifixion.  That occurs just before Passover, a time of tension in Roman occupied Jerusalem.  John includes that story, in a few verses in chapter 2, almost immediately after the first "sign" at the wedding in Cana:

It was almost time for the Jewish Passover celebration, so Jesus went up to Jerusalem.  In the temple precincts he came upon people selling oxen and sheep and doves, and bankers were doing business there too.  He made a whip out of rope and drove them all out of the temple area, sheep, goats, oxen, and all; then he knocked over the bankers' tables, and set their coin flying.  And to the dove merchants he said, "Get these birds out of here! How dare you use my Father's house as apublic market."

(His disciples were reminded of the words of scripture: "Zeal for your house is eating me alive.")

John 2:13-17, SV

It's worth pointing out here, as a side bar, that merchants in the temple weren't necessarily evil.  Temple sacrifice was the point of coming to the Temple during Passover, and most travelers couldn't bring animals with them for the ritual.  They bought animals as they were able to afford:  from doves to ox.  Coins given to the Temple also couldn't bear the image of Caesar, both because humans are made in the image of God (and no images of God can be created), and because Caesar declared himself a "son of God," or divine in his rule over the empire. So the coins of Rome had to be exchanged at Temple for coins acceptable in the Temple.  The problem with both practices, from Jesus' point of view, is that they exploited the poor (like Jesus).  The cost of a dove was already a sacrifice for the poor traveler to Jerusalem coming to the Temple to worship the God of Abraham who taught Israel to think first of the care of the poor.  The exchange rate on Temple coins made money for the banker, and cost the poor, especially, a great deal.  Jesus' objection, in other words, is not pious;  he objects to the economic exploitation of people like him, the very people the God of Abraham professes to identify with.  So you can see why he's pissed off. You can also see why Pilate was worried. We don’t countenance these kinds of complaints today: especially if they are made in the name of Jesus.

Pilate's palace overlooked the Temple.  I mean, directly overlooked.  From the walls of the governor’s palace, Pilate could look down into the open areas of the Temple. Turmoil in the Temple during Passover, the high holiday of the Judeans (Jews is a bit of an anachronism during the time of Pilate), the "first of months" for the children of Abraham , is not conducive to the Pax Romana. It's a time of high political tension for Rome, which tolerated diverse religious beliefs, but not diverse political beliefs.  And Passover was as political as it was religious, so....

Back to Jesus:  the cost of the perfume Mary uses doesn't bother him.  There's no contradiction here; just a contrast.  And a consistency that keeps this version of the anointing at Bethany in line with those of Matthew and Mark.  Luke's is still the outlier (no perfume; only the woman’s tears; an outrageously erotic presentation in Luke’s day); but that outlier finds echoes in John's version.

First, note that the disciples appear in the story in Mark and Matthew, but not in Luke.  And John, who likes to tell more concrete stories (the better to ground his long, abstract discourses by Jesus.  As one of my professors in seminary pointed out, John's Jesus sucks all the air out of the upper room.  Chapter 13 of John begins that event, with Jesus washing the feet of his disciples.  Chapter 18 begins with Jesus finally going to the garden, although he's barely there before Judas shows up to betray him.  The chapters in between are almost all a monologue by Jesus.), replaces Simon the leper/Pharisee with Lazarus (the better to connect the resurrection of Lazarus in chapter 11 to the plot against Jesus in chapter 12) and "the disciples" with Judas Iscariot.  John's character of Judas is the one we all think of as the betrayer, the Iago to Jesus' Othello (except Jesus is not nearly so naive about Judas, especially in John's gospel), the Judas familiar to us from "JCS" (except, again, John's Judas doesn't really have any redeeming virtues).  So Judas is clearly the antagonist in this little story; he is even a hypocrite, because he doesn't care about the poor or whether the mony would go to them.  He's just, in modern parlance, a "troll."

And Jesus' response is equally blunt.  It also lends itself most easily to the dismissal of concern for the poor I've heard from too many professed Christians:  that the poor will always be with us.  It's usually said as if that's not only a fact of life, but the desire of God that some be poor.  As punishment; as part of God's "plan"?  The reason scarcely matters.  The excuse for ignoring them and denying any responsibility for them, is all that matters.

In some ways the Johannine version of this story is the most attenuated, and it suffers from that loss of detail.  John is less concerned with this story than with incorporating it into his narrative because, like the crucifixion, it is a part of the story of the Nazarene that cannot be excluded.  Curiously, it is John's gospel that gives us the long discourse between Pilate and Jesus, the back and forth between the Governor of Judea and a peasant rabble-rouser (which makes it, historically, a highly unlikely event.  Imagine your governor bandying words in public, before TV cameras, with a condemned prisoner just before his execution.)  We owe a lot of what we think about the story of Jesus to John's embellishments.  But in the anointing story John reduces the events to a bare minimum:  now the woman is named:  Mary, the sister to Martha and to Lazarus.  So she is in her brother's home, and yet still serving Jesus at table.  An attenuated scandal since Jesus is above such matters, and the focus stays on him in John's version.  Do you see this woman? Well, don't; she really doesn't matter.  Even the detail of drying his feet with her hair, which now can be a sign of love and honor for what Jesus has done (resurrected her brother Lazarus), but which would also be scandalous (it's still a first century lap dance; and imagine it happening today.  Washing someone's feet is intimate enough.  Drying them with your own long hair?).  John steps over that quickly by shifting attention to Judas, and in the most negative way possible.  Jesus dismisses the whole thing, using it as a foreshadowing of his death.  He doesn't even acknowledge what she's done, or why, except to dismissively say she should save the perfume for his burial preparations.

So the story comes from Mark to Matthew, almost unaltered; and then undergoes a radical transformation in Luke.  Some of those physical changes make it to John's version, but John seems ready almost to discard it, as it's not a "sign" pointing to who Jesus is or what his authority is, and it's not a "teachable moment" allowing Jesus to talk on and on and on about the nature of God and humanity.  For John it's a narrative transition point between the more important story of Lazarus (a "sign" if ever there was one; and, in John’s narrative, the prefiguring of Jesus’ resurrection) and the movement of the story into Jerusalem and the "upper room" (the remainder of chapter 12 is Jesus again talking about the concept of "signs" and the narrative moving toward the foot-washing of chapter 13 and the captive audience of the disciples Jesus then lectures for five chapters. Some of this we’ll get to). It's like John knows he can't leave this story out, but doesn't really think much of it, himself.  It's a pebble in his narrative shoe that he drops off as soon as he is able.

What, then, do we get from all of this?  This simple story was so important to the gospel writers they all included it (the canonical gospels, I mean; not the non-canonical ones).  Luke alters it dramatically.  From his "Special Luke" source?  From his own interests in the story of Jesus of Nazareth?  For whatever reason, he puts it through a blender, changing time and place and persons, leaving out the disciples and followers so thoroughly it is obvious the woman with the jar is a stranger to everyone else in that room.  There's a reason Luke goes immediately from his anointing story to a catalogue of the women traveling with Jesus.  It may be one of them is the woman in the room, since they provide for Jesus' ministry out of their own resources, and undoubtedly the perfume, even if it didn't cost a year's wages, was very expensive.  Luke is drawing a line underneath the woman's identity, the fact she was a stranger before she entered the room; and the enticing possibility that she is a stranger no more, because Jesus told her she had shown great trust, and that trust had saved her.  Matthew and Mark intimate the woman is one of the group; and maybe that's why Luke says the women had resources to fund the ministry when offerings weren't enough.  Matthew and Mark make it clear this is an anointing:  the perfume goes on the head, like the oil on the head of the king, or as in Psalm 133:

{A Song of degrees of David.} Behold, how good and how pleasant it is for brethren to dwell together in unity!

2It is like the precious ointment upon the head, that ran down upon the beard, even Aaron's beard: that went down to the skirts of his garments;

3As the dew of Hermon, and as the dew that descended upon the mountains of Zion: for there the LORD commanded the blessing, even life for evermore.

That is an anointing.  Luke shifts not only time and place (not Bethany; and far earlier than the fateful Passover events) and location (feet, not head).  Is it even an anointing anymore?  John restores (follows?) tradition, by calling the act an anointing, but Mary aims for the feet, not the head.  And in Mary we finally identify a woman (although no one tells that story in memory of her) and a reason for her gratitude (her brother has been restored to life).  John also includes a lovely, concrete detail: "And the house was filled with the lotion's fragrance."  A metaphor?  Or merely a physical detail about the nature of perfume?  Either way it's wiped aside by the actions of Judas and the blunt retort of Jesus.  None of this really interests John; but what's always been interesting to me is why John includes this story; and why he shifts to location to Jesus' feet, even as he keeps up with the tradition of the house being in Bethany, and the disciples (well, Judas) being present.

In "JCS," the anointing story turns into the emotional heart of the story.  Immediately after Judas' lament "Heaven on their minds" we meet the disciples with "What's the Buzz?"  And among them is Mary Magdalene and the women (as a backing chorus) who sing "Let me try to cool down your face a bit", which allows Judas back in with "Strange Thing, Mystifying":

It seems to me a strange thing, mystifying

That a man like you can waste his time on women of her kind.

Yes, I can understand that she amuses,

But to let her kiss you, stroke your hair, is hardly in your line.

It's not that I object to her profession,

But she doesn't fit in well with what you teach and say.

It doesn't help us if you're inconsistent.

They only need a small excuse to put us all away.

That's John crossed with Luke.  The objection is in Judas' mouth; but the objection itself, however obliquely expressed, is that of Simon the Pharisee.  Jesus has already accepted Mary's attention:

Mary, ooh, that is good

How you prattle through your supper,

Where and when and who and how

She alone has tried to give me, 

what I need right here and now.

Which sounds more like Luke than anybody.  This story recurs with the famous love song "I Don't Know How To Love Him."  Again Mary soothes Jesus, upset by the events of the march into Jerusalem (Simon Zealotes tells Jesus to use this power for glory), the cleansing of the Temple ("My Temple should be a house of prayer!/But you have made it a den of thieves!") and the followers ("Christ you know I love you/Did you see I waved?/I believe in you and God/so tell me that I'm saved!") and the beggars and diseased ("See my eyes, I can hardly see/See my legs, I can hardly walk/See my purse, I'm a poor, poor man/See my toungue I can hardly talk") to whom Jesus finally screams "HEAL YOURSELVES!"  And then Mary is back, offering "Myrrh for your hot forehead/calm you and anoint you" as she soothes him to sleep, and then sings her song of confused, bewildered love.  It isn't the song of the woman in Luke's version of the anointing; but it could be ours, if we examine that story carefully, if we take what Luke gives us, seriously.

And here's an interesting thing from the rock opera, too.  Judas says, in the first song, that Jesus has begun to matter more than the things he says.  This is an old discussion in Christianity.  The earliest gospels were likely "sayings" gospels.  Some of those are conjectural:  "Q" is thought to have been a collection of sayings of Jesus.  There's also presumably a "signs" gospel behind John's version.  The Gospel of Thomas is the most famous extant example of these kinds of gospels.  And it’s arguable, especially after the crucifixion, especially today, that Christians honor Jesus more in who he was than in what he taught.  Judas, in other words, is on to something.  Gallup reports that church attendance in America is declining, and thinks this marks something in American cultural history.  Perhaps; or perhaps it just marks a new social willingness to admit you don't go to church anymore.  The decline in attendance has been obvious to pastors and churches for more than half a century now.  Gallup thinks it’s discovered something but, again, the world is just catching up to the church.  And still we're a long way from the early 20th century.  This fight between who Jesus was, and what Jesus said (and which matters more) is a very old one, in other words; and if the latter is starting to prevail over the former (not to its extinguishment, but with a renewed emphasis on the latter above the former), perhaps that's all to the good.  Perhaps that's even the Holy Spirit (Luke) at work.  Perhaps we should let that fragrance fill the house (John).

Luke's story is, in my understanding, a powerful story about grace and salvation, forgiveness and redemption.  We want things to be earned, especially something as important as grace and acceptance (acceptance often includes some manner of forgiveness), but we want these blessings purchased with some coin.  For me that coin should be as small as possible, a mere mite, because surely I am deserving of forgiveness and grace, especially if I can't possibly pay for it.  For you, however?  Well, I'm not sure I want you getting something for nothing.  That seems unfair.  Maybe if you were to show a little love, you'd be deserving.  But to be deserving and to show some love, surely you have to have some prompting to respond to.  So would it work like this?

"I walked into your house and you didn't offer me water for my feet; yet she has washed my feet with her tears and dried them with her hair. You didn't offer me a kiss, but she hasn't stopped kissing my feet since I arrived. You didn't anoint my head with oil, but she has anointed my feet with myrrh. For this reason, I tell you, her sins, many as they are, have been forgiven, as this outpouring of her love shows. But the one who is forgiven little shows little love."

But that's an ouroboros, a Moebius strip; it doesn't seem to have a beginning or an end, and if you walk along it, it has only one surface.  There's no way in, no point at which you can begin your payment for that grace.  How do you earn it, then?

Precisely.  Begin there.

On what condition does goodness exist beyond all calculation? On the condition that goodness forget itself, that the movement be a movement of the gift that renounces itself, hence a movement of infinite love. Only infinite love can renounce itself and, in order to become finite, become incarnated in order to love the other, to love the other as a finite other. This gift of infinite love comes from someone and is addressed to someone; responsibility demands irreplaceable singularity.

Jacques Derrida, The Gift of Death, tr. David Wills (Chicago: University of Chicago Press, 1995), pp. 50-51.

These conflicts and disputes among you, where do they come from? Do they not come from your own cravings that are at war within you? You want something and do not have it, so you commit murder. And you covet something and cannot obtain it; so you engage in disputes and conflicts. You do not have because you do not ask. You ask and do not receive, because you ask wrongly, in order to spend what you get on your pleasures. Adulterers! Do you now know that friendship with the world is enmity with God? Therefore whoever wishes to be a friend of the world becomes an enemy of God. Or do you suppose that it is for nothing that the scripture says, "God yearns jealously for the spirit that he has made to dwell in us"? But he gives all the more grace; therefore it says, "God opposes the proud, but gives grace to the humble."

James 4:1-6

I am reading (Simone Weil's) essays as a part of my Lenten reading...She says that we "...must experience every day, both in the spirit and the flesh, the pains and humiliations of poverty...and further we must do something which is harder than enduring in poverty, we must renounce all compensations: in our contacts with the people around us we must sincerely practice the humility of a naturalized citizen in the country which has received us."

I keep reminding the young people who come to work with us that they are not naturalized citizens...They are not really poor. We are always foreigners to the poor. So we have to make up for it by "renouncing all compensations..."

Dorothy Day, from The Dorothy Day Book, p. 11. 

Saturday, December 20, 2025

"The birth of Jesus the anointed took place as follows:"

A common depiction of the nativity, combining elements from Matthew and Luke.  I include it for two reasons:  I have this five-panel scene.  I stitched it myself, and framed it as this is framed.  This one isn't mine, but near enough for dammit.  Although this picture doesn't do credit to the richness of the brocade on the camel, complete with hand-made tassles on the bridle.  Nor does it really show the metallic threads in that star, and the rays extending into every panel.  But, again, near enough for dammit.

The other reason is, it illustrates the "doxa" I get to a bit further on. That golden shaft coming down from the star also connects (though you might barely see it) all five panels as it spreads out left and right, reaching even the camel and the shepherd boy. In this post, that’s also a metaphor.

This is the hard-core examination of the Nativity stories; well, hard-core for me. The other side of the coin is the apocryphal infancy gospels, which mostly start with Luke and Matthew, and try to fill in the gaps between the Christchild and the adult Christ.

There is,  at least conjecturally, a “passion narrative” that predates Mark*, the earliest of the canonical gospels. Some modern scholars like Crossan think the Markan passion story is too much of a piece (based on textual and linguistic analysis) with the rest of Mark to have been incorporated from a separate source. And the argument cited (by Thiessen) that Mark’s passion narrative is too similar to Matthew’s to be coincidence. My personal position is that the anointing in Luke, where it shifts from Matthew/Mark from the head to the feet, is continued in John, indicating that community had a copy of Luke’s gospel. Granted there were no bookstores or publishers in 1st century Palestine, so the greater likelihood is the four gospel communities had no real knowledge of each other. But the only two stories common to all four gospels are the passion, and the anointing. The Q hypothesis is that Luke and Matthew had a copy of Mark, but also Q (which explains why Matthew and Luke have stories common to Mark, but also to each other not found in Mark). The Q hypothesis rests on close textual analysis: Matthew and Luke have too many words and phrases in common in the same places (sayings, mostly, but some stories, too) for it to be coincidence they have much not found in Mark (where the same connections to Luke and Matthew are found). The gospels were put together this way, though we have no reliable source for Mark. Which makes that gospel practically sui generis. That’s not a claim we can make about the other three canonicals, or about the apocryphal gospels regarding the childhood of Christ.

For me, the key similarity is the anointing story. It connects John to Luke, when Matthew and Mark have the same anointing story; Luke changes it dramatically, and moves the anointing to Jesus’ feet. John also has the story, and also moves it to Jesus’ feet. Coincidence? I think not.

Thiessen has other points to make, and I’m not trying to refute him here. I just mean to point out the assumption John’s gospel stands wholly apart from the synoptics is not a valid one. And also that the canonical gospels can not only be read together, but can be read as being conversant with each other. Well, at least in one direction: from Mark towards John (i.e., oldest to newest).

But the more interesting question is: if there is a passion narrative that predates Mark (part of Thiessen’s argument is that some parts of Mark’s passion must be from sources contemporaneous to the events, which are earlier than Mark’s gospel by at least 30 years); why is there no conjectured nativity narrative?

Part of the reason is Luke’s nativity is nothing like Matthew’s. But where do these two stories come from? The theory is this story is the most prominent part of Special Luke and Special Matthew. But for all the variations, both stories put the birth in Bethlehem, have Jesus live as a child in Nazareth, present Mary as a virgin mother, and name the father Joseph. Which, frankly, points to a common narrative behind Special Luke and Special Matthew. And what is that?

Matthew and Luke clearly use the nativity for their own theological and narrative purposes. Working from the basic similar facts, they present radically different and factually irreconcilable tales. I don’t mean factually challenged or even incorrect; but the fundamentalist hypothesis that everything in the scriptures is factually true founders on the nativity stories. The two can’t be reconciled.

As I said, there are common points; the Holy Family (a much later appellation, but we won’t fear anachronism here) is : Mary, Joseph, and Jesus. The child is born in Bethlehem, but raised in Nazareth. But that’s all the two stories have in common.

Conjectural sources have to be made of more than this. Three names, a birthplace, another place for childhood to adulthood; there’s not much there. And what the two gospels do with these bare elements is striking.


Luke’s version is the “basic” one in our telling: it provides the manger, the animals, the shepherds, and four songs (not a small thing: how many Easter carols do you know?). Matthew “adds” the singular star and the Magi. That’s how we usually build our Christmas story: angels, shepherds, a manger; then a star and magi. We don’t often imagine one without the other. But they are different elements of different stories. Matthew also adds the Massacre of the Innocents, but while that is observed during Christmastide, we seldom think of it as part of the nativity (it is; we should; we’ll come back to that in considering Matthew’s theological purposes). Luke has the census and the journey to Bethlehem, which ends at the manger. But let’s start where Luke starts: with Mary’s cousin’s husband.

In other words, with family. Matthew starts with Joseph before he has a family. So, again, a commonality: family. But Luke starts with family for very particular narrative reasons.

Because Zechariah is very extended family: the husband of Mary’s older cousin Elizabeth, soon to be father of Jesus’ herald, John. But related to Jesus only by marriage, and present in this story only because Joseph is notably absent. Joseph is the central character of Matthew’s story, but he’s largely sidelined by Luke.

Luke’s narrative, in fact, centers Mary. Zechariah is related to her by marriage. He is first visited by Gabriel, but the angel doesn’t like the priest’s questions, and strikes him dumb. Mary fares better, and gets her questions answered. She even offers the first song of Luke’s narrative. Zechariah gets the second one, but only after his son is born and he follows the angel’s direction to name the child John. That also ends part one of Luke’s nativity.

It’s best to understand these two stories as being told in three parts each. Luke’s nativity story begins in the temple with Zechariah; his part of (and in) the story ends with the birth of John and the Benedictus (at least Zechariah goes out with one of the four songs in Luke's nativity). Part two begins with the census forcing Mary and Joseph (finally named!) to Bethlehem. (We’ll get to the three parts of Matthew’s story in a minute.) Gone are Elizabeth and Zechariah;  new are the angels and the shepherds.

And here we can start to discuss the question of Luke's purpose in his nativity.  Matthew and Luke's opening stories are irreconcilable except for the most important of the dramatis personae:  Jesus, Mary, and Joseph.  Luke's thesis in his gospel is also radically different from Matthew's (although Matthew 25, especially 31-46, is as radical as anything in Luke's gospel teachings.  And that parable is pecular to Matthew.).  Luke is far more concerned with the marginalized, the oppressed, the outcast, the ragged fringes of human society. Zechariah is a priest and so presumably a comfortable member of Palestinian society; or at least not as poor as a carpenter, like Joseph (set aside all notions of "markets" and "trades."  Such things only started to exist in the collapse of the medieval period in Europe.  A "carpenter" was a man with no work and only the income he could garner from someone who needed his skills.  The system was patronage, not "free market," and without a patron you relied wholly on the kindness, and pocketbooks, of strangers; who usually had no more than you did.  The fishermen Jesus will recruit as disciples later, usually portrayed as poor?  Well off compared to Joseph the carpenter.).  Mary is not described as impoverished, either; but while the children of Abraham are free to practice their temple religion, they are still under the thumb of Rome.  And when Rome decrees you travel to a far away town to be counted for a census (which benefits Rome, not you.  Again, not the Constitutional Census which apportions government power and benefits), you go.  So, rather like the poor immigrants put on buses by governors of border (or non-border) states and sent far away, the family of Mary and Joseph have no choice but to comply with government orders.

As for the "inn" in Bethlehem, again we retroject anachronisms into the story.  There were no "Motel 6's" in first century Bethlehem, no "No Vacancy" signs hung above businesses open to house the weary traveler.  People did then as most do now:  they stayed with family.  The word translated as "inn" in Luke is better translated as "guest room."  And all the story means is, not that the Holy Family met with inhospitality in Bethlehem where they had extended family (else why were they returned there to be counted?).  It means they were humble peasant folk, poorest of the poor, and did as the poor did:  wrapped their newborn in strips of cloth and laid him in a feeding trough because that's what poor people did.  Jesus identifies with the poor in Matthew 25 ("whatever you did for the least of these, you did for me"), and Jesus is born among the poor, as one of the poor, in Luke.

Jesus, Jesus, rest your head
You has got a manger bed
All the evil folk on earth
Sleep in feathers at their birth.
Jesus, Jesus rest your head
You has got a manger bed.

Luke's is probably the most resonant of the infancy narratives, if only for that distinct display of abject poverty at the coming of the King of Heaven.  Well, that and the angels.

Few of Luke's songs are captured so well in music as the Gloria of the angels.  It's the chorus of "Angels We Have Heard On High."  That scene is recited by Linus to Charlie Brown and the assembled kids in a spotlight on a darkened stage.  It is the most evocative scene in the birth narratives, and it brings the shepherds, the stinking, dirty outlaws of Bethelehem, the biker gangs in more modern parlance, to the home where Jesus lies.  Which must have shocked hell outta Mary and Joseph; but there you are.

Light, or glory (the glory which comes off God and obscures God in the Hebrew Scriptures is light, pure and simple and overwhelmingly bright), is a key part of Luke's story; and it's a key part of Matthew's story.  We see the shepherds in dark fields, fields maybe illuminated by moonlight, and we imagine the scene shocked into day by the appearance of the angels and "the glory of the Lord" which "shone around about them."  No wonder they were afraid.  Who wouldn't be?  That touch is Luke's way of assuring us this is real, that he means it, that we are to accept that it happened.  And you can; or not.  "May it be unto you according to your faith."

The point of the shepherds is not to give the angels an audience or excuse to show up and start singing.  The point of the shepherds is to have the revelation.  There are two basic forms of information:  that which is discovered, either by diligent search or simply by diligent study; and that which is revealed.  The birth and nature of the Christchild is revealed in both Matthew and Luke; but how it is revealed and who it is revealed to, are two very different things in the two stories.  In Luke, the revelation comes to the shepherds, people as far down the economic scale as Joseph the carpenter; and perhaps even further down the social scale, out there with lepers and prostitutes.  But these are the ones first told that Christ is born, and God is well pleased with humanity.  That is not a plot point idly chosen.  And the message brings the shepherds to the child, which visit closes the second part of Luke's nativity story.

The shepherds and the second part of this three party story underscore one of Luke's themes:  Jesus came as ptochoi to the ptochoi, because God cares about the ptochoi.  Matthew and Luke both got their Beatitudes from "Q" (they aren't in Mark or John).  But while Matthew's version is more "spiritual" ("Blessed are the poor in spirit"), Luke's are much more concrete:  "Congratulations, you poor!  God's domain is yours!"  That statement is a little less startling when you think about the angels showing up to tell the shepherds the good news, and inviting them to go see for themselves the extraordinary thing God has done.

So we've started with the heights of Palestinian Hebraic society (the priestly class), leaving aside the satrap King Herod (we get to him in Matthew), and descended to the most outcast, most poorly regarded, precisely "wrong kind of people" to have at our Christmas celebration (would you invite a gang of smelly bikers to your Xmas dinner?  Neither would I.).  We move slightly back up the chain in the third part of the tale, with the presentation of Jesus in the Temple shortly after his birth.

We won't bother with the technical details of this part of the story.  As Fr. Brown notes, the "sequence of birth, circumcision, presentation, and purification...provide no more than a loose frame and are not the substance of the narrative."  The rituals of circumcision and purification don't even appear in Luke's telling; "presentation" is the excuse that moves the holy family to the Temple, the last scene of the baby Jesus in Luke's gospel (Jesus' next appearance is as a young boy teaching the elders in the Temple). So why does Luke include this episode in his nativity narrative?  I rather like Fr. Brown's explanation:

The angelic proclamation to the shepherds which follows the birth of Jesus announces the identify of the child in terms of the expectations of Israel.  Simon's Nunc Dimittus announces the destiny of the child "in sight of all the peoples," including the Gentiles.  And so there is no real duplication between the two pronouncements, but rather a development.

I would put it in terms of literary analysis:  Luke is setting out a prologue to a story.  Part of the purpose of the entire infancy narrative is to announce both the destiny of the child who becomes the subject of the gospel, and to announce the identity of said child.  Paul identified Jesus in his resurrection.  By the time of the gospels (written after Paul's death), that identity has moved back to the transfiguration (Mark 9:2-13), a story both Matthew and Luke repeat.  So the identification of Jesus with God moves backwards from post-death to the midst of Jesus's life.  Matthew and Luke move it back further.  Both take it back to before Jesus' conception, so it is present (and known/revealed) in his birth.  (John moves it back further still:  "In the beginning was the Word (logos), and the word was before God, and the word was God."  You can't get back any further in time than that.)  Telling the story of that revelation at birth is the purpose of the narrative stories.  Within that purpose, Matthew and Luke have separate purposes related to the themes of their gospels. Within Luke's framework, the purpose of Simeon and Anna is twofold:  one, to give a woman equal status with a man ("There is neither Jew nor Greek, there is neither bond nor free, there is neither male nor female: for ye are all one in Christ Jesus."  Galatians 3:28)  Luke, remember, centers his nativity on Mary.  The primary players are Mary and Elizabeth.  Joseph has no speaking role at all, and Zechariah whiffs at the plate the first time he's at bat.

But the Nunc Dimmitus also serves a narrative role:  it proclaims the identify of Jesus as a light to all people (not just the children of Abraham), and that he will cause suffering and division and, frankly, have a rough road to travel (because a sword will pierce Mary's heart, also).  It's an interesting foreshadowing, because Matthew does the same thing, for the same reasons, in his nativity narrative.

MATTHEW AND BABY JESUS

You'll notice I've skipped lightly over the genealogies in Luke and Matthew.  These are actually of great importance to post-exilic Israel.  They aren't just a pedigree list of whose ancestors came over on the Mayflower (or, in Texas, were present during the Texas Revolution.  Seriously.  My wife and daughter can claim descent (matrilineally, as the Hebrews did it) from one of the fighters with Sam Houston at San Jacinto.  Some people down here take that shit seriously.).  The genealogies are actually registers of who is still among the children of Abraham.  When faced with a diaspora, records can be helpful (or just internal government oppression. Records of citizenship will get you out of the clutches of ICE.).  I'm skipping them not because they are an unimportant part of the nativity stories, but because they are actually a "fourth part" in my analysis.  It's a separate consideration, tracing down the lineage Matthew and Luke provide (they aren't the same in all respects).  Upon reflection, I should have added "genealogy of Jesus" to the set of common elements of these two stories.  But that's all I'm going to say about it here; except to note, again, the difference in narrative purpose:  Matthew puts his genealogy at the beginning of his gospel.  Luke places it after the Simeon story, and before beginning the story of Jesus of Nazareth, his life, death, resurrection, and teachings.  There's a lot of interesting narrative and thematic analysis to be had there alone; but this is already at four related posts, and this one itself hasn't even touched solidly on Matthew yet.

So let's move on.

Matthew opens, as I say, with the geneaology of Jesus.  Luke opens with telling us who was in charge when Jesus was born, because power will play a direct role in his nativity story.  It plays an even more direct, and nakedly aggressive, role in Matthew's; but Matthew starts with what has been most important to the children of Abraham since the Exile:  genealogy. That at least establishes Jesus as a true descendant of Abraham (although he is Mary's child, not Joseph's.  But Joseph names the child, accepting him as his own, so ultimately this is not about modern notions of "blood," or even more modern (and so "refined") notions of genetics.). Matthew then presents us with the first crisis (as we insist on thinking of it):  Mary is pregnant, and Joseph knows it's not his child.

Before I drop my long quote in here from a previous post, let's note that the language of Matthew 1:18 focusses on Joseph, but it implies a close, if not intimate, relationship between Mary and Joseph already.  Keep that in mind as I try, here, to explain 1st century Jewish marriage law:

If you take this story as in any way "real," (rather than Matthew's attempt to place Jesus as Messiah within Hebraic tradition and prophecy), you end up with the Raymond Brown attempts (I use the good Fr. metaphorically, and not caustically) to evaluate Galilean v. Judean marriage customs and the like (apparently it was the not unusual in Judea for a man to have "relations" with his betrothed before the marriage was formalized, but that was "not done" in Galilee. So which condition prevailed on Mary and Joseph?). Why, though, does Matthew raise the question of adultery at all? Luke doesn't raise it, and he includes an immaculate conception in his story.

As far as we can tell, Galilean custom was more strict than Judean on sexual relations for a couple between the initial engagement, which established a legal right, and the final ceremony, which established a common home. [Let me note this custom of legal right before common home prevailed into the 19th century in Britain in some form, as the ending of an engagement could be a breach of promise action, based on contract law.] But even in Galilee, villagers would have presumed that Mary's pregnancy came not from fornication or adultery, but from a slightly ahead-of-time marital consummation. Apart from Mary, only Joseph knew whether that could have been the explanation. Note, by the way, that while adultery only affected a husband's rights, Mary could not have committed adultery unless Joseph already had marriage rights over her.
Jon Dominic Crossan and Jonathan L. Reed, Excavating Jesus (New York: HarperSanFrancisco, 2001), p. 79. (Most of what follows, except for parenthetical comments, is drawn almost directly from this book.)

So, as Crossan and Reed ask, why did Matthew tell the story this way?

Since they were already officially engaged, pregnancy, even if not exactly proper bfeore Mary's move from her father's to her husband's home, would make nobody save Joseph suspect adultery. Eyebrows might raise and tongues might wag, but little else would happen, and it certainly would not make Jesus' conception adulterous....And even if he claimed it, he might not be believed. Around the year 200 C.E., for example, the Jewish legal codification in the Mishnah recorded the following debate: "If a man says, 'This my son is a bastard,' he may not be believed. Even if they both said of the unborn child in her womb, 'It is a bastard,' they may not be believed. R. Judah says: They may be believed." (Quiddushin 4:8)
Back to the law today; no man can deny paternity of a child born during marriage unless there is a blood test proving he is not the father. I actually had a case like this, where the wife was pregnant by her boyfriend during a pending divorce (yes, it had been pending that long). No one disagreed that the child was the boyfriend's, and the father of the child wanted to raise it as his. But the law said the child was the husband's, until proven otherwise, and simple denial of paternity by the husband and even the mother/wife, was not enough. Nor was a blood test of the fetus viable. It was a legal tangle because the child was due before the marriage was due to be legally terminated. So the issue needed to be resolved, but there were real legal and procedural questions about how to do that. That’s what my life used to be like.

These issues last a long time, and for good reason: parentless children have no one to speak for them, or care for them. So why does Matthew do this? The explanation Crossan comes up with involves the story of Moses. Not the story in Exodus, but the story in Josephus' Jewish Antiquities and Pseudo-Philo's Biblical Antiquities. Folk tales, in other words, about the birth of Moses. You know, the kind of thing Hollywood does when it wants to tell the story of, oh, say, the birth of Jesus. And then the popular imagination turns Moses the Hebrew into Charlton Heston.

That there are parallels to the nativity stories in scripture is not new, of course. Luke's story of childless Elizabeth recalls at least 4 stories: Genesis 16:7-16; Genesis 18:1-15; Judes 13:3-24; and 1 Samuel 1:1-20. Matthew works in one of Josephus's stories about Moses' birth with the aftermath of Jesus' birth: the Massacre of the Innocents. According to Josephus, the birth of a leader of the enslaved Jews was predicted and Pharoah ordered all male children born to the Israelites around the time predicted, thrown into the river. (You can see how these stories embellish on the scriptural ones, and pick up details for verisimilitude.) Now it gets more interesting.

In Exodus, the parents of Moses marry after Pharoah decrees all male Israelite children should be killed. Why marry after that decree, though? (Remember, this is pre-14th century Europe; marrying for love is an anachronism, except in Hollywood movies.) The folk literature explained that the marriage occured before the decree, and Jochebed is already pregnant when it is made (note the parallels in Matthew again: Herod makes his decree after the birth of Jesus, not before, though the Magi knew of the birth before it happened). Josephus records that God appeared to Moses' father in a dream and reassured him of Moses' fate: "This child...shall indeed be yours; he shall escape those who are watching to destroy him, and...he shall deliver the Hebrew race from their bondage in Egypt, and be remembered...even by alien nations." (quoted in Crossan, p. 83).

In another version, recorded by Pseudo-Philo, Moses' sister Miriam has a dream which foretells the greatness of Moses. Other versions in later texts (which may be earlier in tradition) have Jochebed and Amram divorced and convinced to marry again because of this dream. So there's a fairly rich amount of literature here for Matthew to draw on. And he does so in order to establish the connections, both scriptural and in the popular mind, between Jesus and Moses (one more link, from many: Jesus gives his sermon "on the mount" in Matthew, as Moses came down from Sinai with the law. In Luke, Jesus "looks up" at his disciples when he begins that sermon.)

So, does Matthew record a story about a family in crisis? From our point of view, yes, yes he does. But from Matthew's point of view? The crisis, more likely, was in the community of believers he wrote for, struggling to establish its identity in first century Palestine. Which is interesting if for no other reason than that, the more things change, the more they remain the same.

Much of what Matthew writes, in other words, reflects the conditions of his community as he was writing; not our situations today.  I don't mean by that, that there isn't something "timeless" (if not of the "eternal") in Matthew's story.  But some of the details are subject to becoming anachronism and even misleading if we don't pay careful attention to what they meant to Matthew's audience, the only one he ever knew.

I'm not going to worry too deeply about the theology of Matthew right now, except to point out this story all centers on Joseph, which means that without Luke's gospel we wouldn't give Mary a second thought today.  She has no role in this story; no voice, no agency, not even a chance to talk to an angel.  The movement from talking about Joseph, the husband of the mother of God, is a seamless transition from that patrilineal geneaology.  Luke gives us the obverse: Joseph appears by name only in Luke’s nativity.  It's almost as if he has, as Sojourner Truth pointed out about the role of man in the birth, nothing to do with it.  This is why we need two nativity stories, I suppose. It also presents, if you want to think about it, a reversal of expectations; in the 1st century, and even today.

Anyway, Matthew has his purposes in his nativity, and they clearly serve a Jewish audience familiar with Hebrew scripture, rather than Luke's audience who is clearly more familiar with more Gentile cultures.  Matthew relies heavily on scriptural references that Luke barely touches on.  Luke does echo the Hebrew scriptures in his birth stories (John the Baptist and Jesus), and in his songs, especially those of Mary and Zechariah.  But it's thanks to Matthew that we think of "Isaiah 'twas foretold it, this rose I have in mind."  And all the other connections to the Hebrew Scriptures; which are worth belaboring, to a point.

I know I've mentioned before the "confusion" over the "young girl" v. "virgin" language in Matthew.  I'm not even sure the term "virgin" meant the same thing to the translators of the Septuagint (where the term appears and from which Matthew quotes extensively) as it does today.  There's a lot of discussion around this, in other words, and frankly it's not worth much to me.  Matthew, like Luke, wants to emphasize that, back to Sojourner Truth, "man had nothin' to do with it!"  And I'm fine with that.

We all prefer Luke's version because he gives us a rich story:  Zechariah and Gabriel, Gabriel and Mary, Mary and Elizabeth, and then the journey to Bethlehem because of political power, and the birth of a peasant child, wrapped in rags, laid in a manger for a crib.  "Why does this story never wear out?", Carl Sandburg asked.  Why should it?, we all answer.

Here's what we get in Matthew:

Joseph got up and did what the messenger of the Lord told him: he took [Mary as] his wife.  He did not sleep with her until she had given birth to a son.  Joseph named him Jesus.

Jesus was born at Bethlehem, in Judea, when Herod was king.

--Matthew 1:24-2:1, SV

I stop there because that's where Matthew stops.  Or actually, part one of Matthew's nativity narrative stops with verse 25 of chapter one.  Chapter two begins the next part of the narrative; verse one is just the connecting sentence between the vision of Joseph, and the appearance of the Magi, guided by a different vision.

It's important to Matthew's narrative that he tell us Jesus was born when Herod was king, because now Herod enters the narrative, and dominates it in ways even Caesar doesn't in Luke's telling.

Astrologers from the East showed up in Jerusalem just then.  "Tell us," they said, "where the newborn king of the Judeans is. We have observed his star in the east and have come to pay him homage."

--Matthew 2:2, SV

There's a lot going on there, so while I won't dissect this verse by verse (oh, maybe I will; we'll see), let's take this up first.  Matthew is giving the revelation of the birth to Gentiles.  Luke gave it to shepherds.  He has his reasons for choosing the marginalized; Matthew is almost in line with John, here:  the revelation doesn't come to Israel, but to Gentiles.  And it comes in a change in the natural world: a new star.  The astrologers have discerned in this star the news that a king of the Judeans has been born.  They find this significant enough they have to come observe the child, and honor him.

And the revelation has God's hand behind it, just as the revelation to the shepherds did.  Angels are messengers from God, not just winged demi-gods floating about doing "angel stuff."  The Greek word we took directly into English as a noun for them meant “messenger.”They come with purpose; but no angel comes to the astrologers.  What comes to them is a change in nature, which they interpret.  And that brings them to Jerusalem, where they are sure they will find more information.  But, of course, Herod is in the dark; and doesn't like being enlightened.

When this news reached King Herod, he was visibly shaken, and all Jerusalem along with him.

Well, when the king sneezes, the corridors of power catch cold, eh?

He called together all of ranking priests and local experts, and pressed them for information: "where is the Anointed supposed to be born?"

Notice Matthew conflates the Anointed one with the "new king of Judea."  That's going to be one of his themes throughout his gospel.  The experts, of course, reach for scripture, which not coincidentally supports Matthew's references to scripture outside the use of it by these characters in his story.  Wheels within wheels.

They replied, "At Bethlehem in Judea." This is how it is put by the prophet:

And you, Bethlehem, in the province of Judah,
you are by no means the least among the leaders of Judah.
Out of you will come a leader
who will shepherd my people, Israel.

This passage serves several purposes for Matthew.  One, the fact the "experts" know immediately that the astrologers are looking for Bethlehem because of Isaiah is actually Matthew speaking through them.  But it supports Matthew's claims that the prophets prefigured the Messiah in Jesus of Nazareth.  This also gives him the narrative opportunity to put the authority of God (through the prophet, the person who spoke for God) into his narrative behind the identity of the Christchild, much as the angels (messengers from God) do the same in Matthew.  The star and the astrologers (Magi, if you prefer) are not God's messengers; but they serve to allow Matthew to mark the importance of this birth; which, after all, is the point of the story, isn't it?

Then Herod called the astrologers together secretly and ascertained from them the precise time the star became visible.

I'm going to leave Matthew there and come back a few verses later, because beyond that the story is just narrative detail for getting the magi on the right road.  But I want to note that language so often overlooked when we put the star above the stable and the magi alongside the shepherds:  "...the precise time the star became visible."

I keep hesitating to say this star's appearance indicates a disturbance in creation because of the birth of the Christchild, but it was interpreted that way by Christians for millenia afterwards.  God's presence in creation in the Hebrew scriptures is always represented by earth tremors and winds and even fire (though God is in none of those things, meaning God merely provokes them by God's very presence).  In the same way I think Matthew means this momentous event (in his telling) causes a new star to appear; and that appearance is the revelation, the epiphany, to the Magi as to who the child is.  It also didn't happen before Jesus was born; but on the day of his birth.

And that becomes significant soon:

And there guiding them on was the star that they had observed in the East: it led them forward until it came to a standstill above where the child lay.  Once they saw the star, they were beside themselves with joy.  And they arrived at the house and saw the child with his mother Mary.  They fell down and paid him homage.  Then they opened their treasure chests and presented him with gifts--gold and incense and myrrh.  And because they had been alerted in a dream not to return to Herod, they journeyed back to their own country by a different route.
Suddenly the star stops being a peculiar astronomical event and becomes a miraculous one.  It is the doxa but it is also an angel, a messenger as a guide, now leading the magi where they need to go.  Having finished the journey, they are given their reward.  And having paid homage to the Christchild, they get a warning in a dream to never see Herod again.

And then (condensing it again) the same messenger (angel) appears to Joseph and warns him to flee to Egypt to escape the death plot of Herod.  Among other things Matthew is recapitulating the movement of Israel into, and out again, from Egypt.  Egypt was the salvation of Israel, until it became their oppressor and God led them on the Exodus through Charlton Heston...er, Moses.  As I've had occassion to mention before, the flight into Egypt also echoes the flight of refugees to America, where they come seeking asylum as they also seek to escape death at home.


In Matthew's telling, it wasn't only the Magi who had a "cold, hard coming." 

Matthew also uses this story to buttress his scriptural bona fides again:

There [in Egypt] they remained until Herod's death.  This happened so the Lord' prediction spoken by the prophet would come true: "Out of Egypt I have called my son."
But that story also serves as a pivot from the journey of the Magi and the massacre of the innocents to the final scriptural reference in Matthew's nativity story (Luke uses canticles; Matthew uses scriptures. The same purpose in their narratives, but different techniques.):

When Herod realized he had been duped by the astrologers, he was outraged.  He then issued a death warrant  for all the male children in Bethlehem and surrounding region two years old and younger.  This corresponded to the time [of the star] that he had learned from the astrologers.  With this event the prediction made by Jeremiahthe prophet came true:

In Ramah the sound of mourning
and bitter grieving was heard:
Rachel weeping for her children.
She refused to be consoled:
They were no more.

My Scholar's Version helpfully points out that Ramah was about five miles north of Jerusalem, and was the place from which the Israelites were sent into exile in Babylon. Again, Matthew connects his nativity to Israel’s history in more ways than one. Rachel is the wife of Jacob, or as you might know him from his other name: Israel. And there’s that story from Exodus, when Pharaoh ordered the murder of all the Hebrew children, the order Moses escapes.

Matthew's nativity ends with Joseph receiving word of the death of Herod, in Egypt, from another messenger of God.  But he returns to Nazareth, because Herod's son, Archaelaus, is now king.  Why poke the bear?  Matthew shows once more the agency of Joseph, and also his actions to protect his family and his "adopted" child.  It also allow Matthew a closing scripture reference for his nativity story:

He [Joseph] heard that Archaelaus was the king of Judea in the place of his father Herod; as a consequence, he was afraid to go there.  He was instructed in a dream to go to Galilee; so he went there and settled in a city called Nazareth. So the prophecy uttered by the prophet came true:  "He will be called a Nazorean."

Again, several points there:  Joseph has some agency, and God uses that agency to make the outcome of history fit the prophecy.  Joseph fears returning to Bethlehem, so the messenger says "Have you considered Galilee?  Really lovely this time of year!"  And Joseph chooses Nazareth, which suits the prophecy (per Matthew, anyway) just fine.

As I say, Matthew writes for a Hebrew/nascent Jewish audience, and the more he can work this into their weltanschaaung, the better. It's no different from us. How many nativity scenes, without or without Magi, do you see where the Holy Family isn't white northern European?  Sometimes you get diversity in the Magi, and one of them is African.  I have a set where one is clearly caucasian, one is African, and one is Asian.  But a Middle Eastern Jesus?  A Joseph who looks like an Arab, a Mary who isn't the ideal young white woman?

Yeah, good luck with that.

The nativity stories each have several common elements:  the place of birth, the names of the Holy Family members, the place where Jesus was raised not being where he was born.  Why the latter is so is explained differently, however; and the main character of the story, the person whose point of view matters, shifts considerably.  Joseph receives all the messages and makes all the decisions in Matthew's telling; Joseph is little more than a name in Luke's version.  Even Simeon addresses Mary, not Joseph, at the circumcision; and it's Mary who keeps all these warnings and messages, and stores them away for future consideration.  The reasons for the difference are, IMHTheologicalOpinion, both literary and theological.  The literary considerations have to do with how these stories connect to the main narrative each gospel writer tells.  These nativity stories are only an introduction to those stories, but introductions are very important things.  You can't (or shouldn't) introduce ideas or plot points that aren't at least pre-figured in the introduction.  Simeon in Luke foreshadows the troubles Jesus will provoke, not just in the world but in his mother's heart.  Matthew shows the birth disturbs not just the natural world but, more directly and consequentially, the human one.  Gold may be a gift for a king, but incense and myrrh are elements of burial, not just expensive Christmas gifts that shame the recipient who can't repay in kind. Matthew's Jesus is the Messiah come to redeem Israel, as promised.  Luke's Jesus is the redeemer of Jew and Gentile.  Both are still more alike than different, but in the difference in the details lies the difference in how the two gospels tell their two separate, but also related, stories.  Matthew and Luke both rely heavily on Mark and the conjectured sayings gospel "Q," but they make very different things of that common material, too.  And there is a lesson in that, too:  that our relationship with God is our relationship with God, and no one else's.  My daughter's relationship with me is not the emotional relationship she has with her husband, nor with her mother.  And my relationship with her mother is not the relationship I have with my daughter, or my wife has with her.

And so it is with God.  We all know the same persons, my wife, my daughter, and I; but we all know them differently, and so know different persons.  It often helps me to compare the daughter I know with the daughter my wife knows.  My wife is, among other things, much wiser than I am; and always has something to tell me that I need to know, and wouln't otherwise.

It's a useful analogy, I think.


*Or maybe it doesn't predate Mark.  Raymond Brown, whose scholarship I will NOT challenge, points out the development of the Christian narrative (my term) in the New Testament as generally agreed.  It started, not with the nativity (which, after all, was an Egyptian cultural concern, seeing as Pharoahs were gods), but with the crucifixion and resurrection.  Put simply, that's all Paul talks about (aside from one mention of the eucharist service being based on what we now call the "Last Supper" of Jesus of Nazareth); and Paul's letters are inarguably the earliest "books" in the NT.  Mark and John don't mention a nativity (although John is the "youngest" of the canonical gospels).  The timeline of the story of Jesus' life, in other words, develops backwards.  It starts with the death and resurrection, but as Fr. Brown points out, you can't really base a following on the death of its leader/founder/raison d'etre.  So the next layer (again, Paul has little to say about the life or "sayings" of Jesus of Nazareth) are sayings gospels, like the known Gospel of Thomas, and the conjectural "Q" and "Signs Gospel" behind Matthew and Luke, and John (respectively). 

Having established a set of teachings by Jesus (the primary purpose of all four gospels; by John, Jesus, as one of my professors memorably said, regularly sucks all the air out of the room. He’s all talk.), the next logical step is to establish an infancy narrative.  From there the next logical step became the non-canonical infancy narratives. 

Whichever is another long post for another day. 


Thursday, April 17, 2025

Maundy Thursday: Oily Heads and Perfume (New Revised Version)

The connection to the day and this final version of the anointing is John’s “sacrament that wasn’t.”  John’s gospel doesn’t have a Eucharist, even though almost all the events of his gospel occur in what Christians now call Holy Week. The story John does tell of the last meal in the upper room isn’t “This is my body, this is my blood,” largely for reasons of John’s theology.  Instead, the story is of foot-washing, which perhaps not coincidentally is the anointing story as John tells it, following Luke’s variation.  Let’s start with John’s version:

Six days before Passover Jesus came to Bethany, where Lazarus lived, the one Jesus had brought back from the dead.  There they gave a dinner for him; Martha did the servince and Lazarus was one of those who ate with him. Mary brought a pound of expensive lotion and anointed Jesus' feet and wiped them with her hair. And the house was filled with the lotion's fragrance.  Judas Iscariot, the disciple who was going to turn him in, says, "Why wasn't this lotion sold? It would bring a year's wages, and the proceeds could have been given to the poor. (He didn't say this because he cared about the poor, but becasue he was a thief.  He was in charge of hte common purse and now and again wouild pilfer money from it.)

"Let her alone," Jesus said.  "Let her keep it for the time I am to be enbalmed.  There will always be poor around; but I won't always be around.

--John 12:1-8, SV

So that's it:  8 verses and done.  But the scene has shifted back to Bethany; the time is back to the days before Passover; and Jesus again refers to the act as a foreshadowing of his death.  But two very important elements have shifted, perhaps through Luke's lens:  now the perfume goes on Jesus' feet, and again, a woman wipes his feet with her hair.  Only this time the woman is named, so perhaps now we can tell this story "in remembrance of her," at least in the modern understanding of "remembrance."

It's interesting, the similiarities between this story and the stories in Matthew and Mark.  There aren't that many commonalities between John and the Synoptics.  John the Baptizer plays an important role in the gospels of Mark and Matthew, a role that reaches its zenith in Luke's gospel, where he begins with the appearance of Gabriel to John's father, Zechariah. In John's gospel the Baptizer appears as a bystander, someone who literally comments on Jesus as Jesus walks by.  No one in John's gospel gets to share center stage, however briefly, with Jesus.  John's gospel has no Sermon on the Mount (Luke)/Plain (Matthew), and precious few parables.  In the synoptics, Jesus' miracles are "acts of power" in the original Greek; in John's version they are "signs."  So the resurrection of Lazarus is a "sign" of Jesus' authority and power, and it is precisely that sign which leads to the crucifixion:

When the huge crowd of Judeans found out he was there, they came not only because of Jesus but also to see Lazarus, the one he had brought back from the dead.  so the ranking priests planned to put Lazarus to death, too, since because of him many of the Judeans were defecting and believing in Jesus.

John 12:9-11, SV

The "sign" of Lazarus was costing the priests their power; at least in John's narrative.  I mentioned before that the cleansing of the Temple seems to have been the historical impetus for the crucifixion.  That occurs just before Passover, a time of tension in Roman occupied Jerusalem.  John includes that story, in a few verses in chapter 2, almost immediately after the first "sign" at the wedding in Cana:

It was almost time for the Jewish Passover celebration, so Jesus went up to Jerusalem.  In the temple precincts he came upon people selling oxen and sheep and doves, and bankers were doing business there too.  He made a whip out of rope and drove them all out of the temple area, sheep, goats, oxen, and all; then he knocked over the bankers' tables, and set their coin flying.  And to the dove merchants he said, "Get these birds out of here! How dare you use my Father's house as apublic market."

(His disciples were reminded of the words of scripture: "Zeal for your house is eating me alive.")

John 2:13-17, SV

It's worth pointing out here, as a side bar, that merchants in the temple weren't necessarily evil.  Temple sacrifice was the point of coming to the Temple during Passover, and most travelers couldn't bring animals with them for the ritual.  They bought animals as they were able to afford:  from doves to ox.  Coins given to the Temple also couldn't bear the image of Caesar, both because humans are made in the image of God (and no images of God can be created), and because Caesar declared himself a "son of God," or divine in his rule over the empire. So the coins of Rome had to be exchanged at Temple for coins acceptable in the Temple.  The problem with both practices, from Jesus' point of view, is that they exploited the poor (like Jesus).  The cost of a dove was already a sacrifice for the poor traveler to Jerusalem coming to the Temple to worship the God of Abraham who taught Israel to think first of the care of the poor.  The exchange rate on Temple coins made money for the banker, and cost the poor, especially, a great deal.  Jesus' objection, in other words, is not pious;  he objects to the economic exploitation of people like him, the very people the God of Abraham professes to identify with.  So you can see why he's pissed off.

You can also see why his protest would upset Pilate.  Pilate's palace overlooked the Temple.  I mean, directly overlooked.  Turmoil in the Temple during Passover, the high holiday of the Judeans (Jews is a bit of an anachronism during the time of Pilate), the "first of months" for the children of Abraham.  It's a time of high political tension for Rome, which tolerated diverse religious beliefs, but not diverse political beliefs.  And Passover was as political as it was religious, so....

Back to Jesus:  the cost of the perfume Mary uses doesn't bother him.  There's no contradiction here; just a contrast.  And a consistency that keeps this version of the anointing at Bethany in line with those of Matthew and Mark.  Luke's is still the outlier; but that outlier finds echoes in John's version.

First, note that the disciples appear in the story in Mark and Matthew, but not in Luke.  And John, who likes to tell more concrete stories (the better to ground his long, abstract discourses by Jesus.  As one of my professors in seminary pointed out, John's Jesus sucks all the air out of the upper room.  Chapter 13 of John begins that event, with Jesus washing the feet of his disciples.  Chapter 18 begins with Jesus finally going to the garden, although he's barely there before Judas shows up to betray him.  The chapters in between are almost all a monologue by Jesus.), replaces Simon the leper/Pharisee with Lazarus (the better to connect the resurrection of Lazarus in chapter 11 to the plot against Jesus in chapter 12) and "the disciples" with Judas Iscariot.  John's character of Judas is the one we all think of as the betrayer, the Iago to Jesus' Othello (except Jesus is not nearly so naive about Judas, especially in John's gospel), the Judas familiar to us from "JCS" (except, again, John's Judas doesn't really have any redeeming virtues).  So Judas is clearly the antagonist in this little story; he is even a hypocrite, because he doesn't care about the poor or whether the mony would go to them.  He's just, in modern parlance, a "troll."

And Jesus' response is equally blunt.  It also lends itself most easily to the dismissal of concern for the poor I've heard from too many professed Christians:  that the poor will always be with us.  It's usually said as if that's not only a fact of life, but the desire of God that some be poor.  As punishment; as part of God's "plan"?  The reason scarcely matters.  The excuse for ignoring them and denying any responsibility for them, is all that matters.

In some ways the Johannine version of this story is the most attenuated, and it suffers from that loss of detail.  John is less concerned with this story than with incorporating it into his narrative because, like the crucifixion, it is a part of the story of the Nazarene that cannot be excluded.  Curiously, it is John's gospel that gives us the long discourse between Pilate and Jesus, the back and forth between the Governor of Judea and a peasant rabble-rouser (which makes it, historically, a highly unlikely event.  Imagine your governor bandying words in public, before TV cameras, with a condemned prisoner just before his execution.)  We owe a lot of what we think about the story of Jesus to John's embellishments.  But in the anointing story John reduces the events to a bare minimum:  now the woman is named:  Mary, the sister to Martha and to Lazarus.  So she is in her brother's home, and yet still serving Jesus at table.  An attenuated scandal since Jesus is above such matters, and the focus stays on him in John's version.  Do you see this woman? Well, don't; she really doesn't matter.  Even the detail of drying his feet with her hair, which now can be a sign of love and honor for what Jesus has done (resurrected her brother Lazarus), but which would also be scandalous (it's still a first century lap dance; and imagine it happening today.  Washing someone's feet is intimate enough.  Drying them with your own long hair?).  John steps over that quickly by shifting attention to Judas, and in the most negative way possible.  Jesus dismisses the whole thing, using it as a foreshadowing of his death.  He doesn't even acknowledge what she's done, or why, except to dismissively say she should save the perfume for his burial preparations.

So the story comes from Mark to Matthew, almost unaltered; and then undergoes a radical transformation in Luke.  Some of those physical changes make it to John's version, but John seems ready almost to discard it, as it's not a "sign" pointing to who Jesus is or what his authority is, and it's not a "teachable moment" allowing Jesus to talk on and on and on about the nature of God and humanity.  For John it's a narrative transition point between the more important story of Lazarus (a "sign" if ever there was one) and the movement of the story into Jerusalem and the "upper room" (the remainder of chapter 12 is Jesus again talking about the concept of "signs" and the narrative moving toward the foot-washing of chapter 13 and the captive audience of the disciples Jesus then lectures for five chapters).  It's like John knows he can't leave this story out, but doesn't really think much of it, himself.  It's a pebble in his narrative shoe that he drops off as soon as he is able.

What, then, do we get from all of this?  This simple story was so important to the gospel writers they all included it (the canonical gospels, I mean; not the non-canonical ones).  Luke alters it dramatically.  From his "Special Luke" source?  From his own interests in the story of Jesus of Nazareth?  For whatever reason, he puts it through a blender, changing time and place and persons, leaving out the disciples and followers so thoroughly it is obvious the woman with the jar is a stranger to everyone else in that room.  There's a reason Luke goes immediately from his anointing story to a catalogue of the women traveling with Jesus.  It may be one of them is the woman in the room, since they provide for Jesus' ministry out of their own resources, and undoubtedly the perfume, even if it didn't cost a year's wages, was very expensive.  Luke is drawing a line underneath the woman's identity, the fact she was a stranger before she entered the room; and the enticing possibility that she is a stranger no more, because Jesus told her she had shown great trust, and that trust had saved her.  Matthew and Mark intimate the woman is one of the group; and maybe that's why Luke says the women had resources to fund the ministry when offerings weren't enough.  Matthew and Mark make it clear this is an anointing:  the perfume goes on the head, like the oil on the head of the king, or as in Psalm 133:

{A Song of degrees of David.} Behold, how good and how pleasant it is for brethren to dwell together in unity!

2It is like the precious ointment upon the head, that ran down upon the beard, even Aaron's beard: that went down to the skirts of his garments;

3As the dew of Hermon, and as the dew that descended upon the mountains of Zion: for there the LORD commanded the blessing, even life for evermore.

That is an anointing.  Luke shifts not only time and place (not Bethany; and far earlier than the fateful Passover events) and location (feet, not head).  Is it even an anointing anymore?  John restores (follows?) tradition, by calling the act an anointing, but Mary aims for the feet, not the head.  And in Mary we finally identify a woman (although no one tells that story in memory of her) and a reason for her gratitude (her brother has been restored to life).  John also includes a lovely, concrete detail: "And the house was filled with the lotion's fragrance."  A metaphor?  Or merely a physical detail about the nature of perfume?  Either way it's wiped aside by the actions of Judas and the blunt retort of Jesus.  None of this really interests John; but what's always been interesting to me is why John includes this story; and why he shifts to location to Jesus' feet, even as he keeps up with the tradition of the house being in Bethany, and the disciples (well, Judas) being present.

In "JCS," the anointing story turns into the emotional heart of the story.  Immediately after Judas' lament "Heaven on their minds" we meet the disciples with "What's the Buzz?"  And among them is Mary Magdalene and the women (as a backing chorus) who sing "Let me try to cool down your face a bit", which allows Judas back in with "Strange Thing, Mystifying":

It seems to me a strange thing, mystifying

That a man like you can waste his time on women of her kind.

Yes, I can understand that she amuses,

But to let her kiss you, stroke your hair, is hardly in your line.

It's not that I object to her profession,

But she doesn't fit in well with what you teach and say.

It doesn't help us if you're inconsistent.

They only need a small excuse to put us all away.

That's John crossed with Luke.  The objection is in Judas' mouth; but the objection itself, however obliquely expressed, is that of Simon the Pharisee.  Jesus has already accepted Mary's attention:

Mary, ooh, that is good

How you prattle through your supper,

Where and when and who and how

She alone has tried to give me, 

what I need right here and now.

Which sounds more like Luke than anybody.  This story recurs with the famous love song "I Don't Know How To Love Him."  Again Mary soothes Jesus, upset by the events of the march into Jerusalem (Simon Zealotes tells Jesus to use this power for glory), the cleansing of the Temple ("My Temple should be a house of prayer!/But you have made it a den of thieves!") and the followers ("Christ you know I love you/Did you see I waved?/I believe in you and God/so tell me that I'm saved!") and the beggars and diseased ("See my eyes, I can hardly see/See my legs, I can hardly walk/See my purse, I'm a poor, poor man/See my toungue I can hardly talk") to whom Jesus finally screams "HEAL YOURSELVES!"  And then Mary is back, offering "Myrrh for your hot forehead/calm you and anoint you" as she soothes him to sleep, and then sings her song of confused, bewildered love.  It isn't the song of the woman in Luke's version of the anointing; but it could be ours, if we examine that story carefully, if we take what Luke gives us, seriously.

And here's an interesting thing from the rock opera, too.  Judas says, in the first song, that Jesus has begun to matter more than the things he says.  This is an old discussion in Christianity.  The earliest gospels were likely "sayings" gospels.  Some of those are conjectural:  "Q" is thought to have been a collection of sayings of Jesus.  There's also presumably a "signs" gospel behind John's version.  The Gospel of Thomas is the most famous extant example of these kinds of gospels.  And it’s arguable, especially after the crucifixion, especially today, that Christians honor Jesus more in who he was than in what he taught.  Judas, in other words, is on to something.  Gallup reports that church attendance in America is declining, and thinks this marks something in American cultural history.  Perhaps; or perhaps it just marks a new social willingness to admit you don't go to church anymore.  The decline in attendance has been obvious to pastors and churches for more than half a century now.  Gallup thinks it’s discovered something but, again, the world is just catching up to the church.  And still we're a long way from the early 20th century.  This fight between who Jesus was, and what Jesus said (and which matters more) is a very old one, in other words; and if the latter is starting to prevail over the former (not to its extinguishment, but with a renewed emphasis on the latter above the former), perhaps that's all to the good.  Perhaps that's even the Holy Spirit (Luke) at work.  Perhaps we should let that fragrance fill the house (John).

Luke's story is, in my understanding, a powerful story about grace and salvation, forgiveness and redemption.  We want things to be earned, especially something as important as grace and acceptance (acceptance often includes some manner of forgiveness), but we want these blessings purchased with some coin.  For me that coin should be as small as possible, a mere mite, because surely I am deserving of forgiveness and grace, especially if I can't possibly pay for it.  For you, however?  Well, I'm not sure I want you getting something for nothing.  That seems unfair.  Maybe if you were to show a little love, you'd be deserving.  But to be deserving and to show some love, surely you have to have some prompting to respond to.  So would it work like this?

"I walked into your house and you didn't offer me water for my feet; yet she has washed my feet with her tears and dried them with her hair. You didn't offer me a kiss, but she hasn't stopped kissing my feet since I arrived. You didn't anoint my head with oil, but she has anointed my feet with myrrh. For this reason, I tell you, her sins, many as they are, have been forgiven, as this outpouring of her love shows. But the one who is forgiven little shows little love."

But that's an ouroboros, a Moebius strip; it doesn't seem to have a beginning or an end, and if you walk along it, it has only one surface.  There's no way in, no point at which you can begin your payment for that grace.  How do you earn it, then?

Precisely.  Begin there.

On what condition does goodness exist beyond all calculation? On the condition that goodness forget itself, that the movement be a movement of the gift that renounces itself, hence a movement of infinite love. Only infinite love can renounce itself and, in order to become finite, become incarnated in order to love the other, to love the other as a finite other. This gift of infinite love comes from someone and is addressed to someone; responsibility demands irreplaceable singularity.

Jacques Derrida, The Gift of Death, tr. David Wills (Chicago: University of Chicago Press, 1995), pp. 50-51.

These conflicts and disputes among you, where do they come from? Do they not come from your own cravings that are at war within you? You want something and do not have it, so you commit murder. And you covet something and cannot obtain it; so you engage in disputes and conflicts. You do not have because you do not ask. You ask and do not receive, because you ask wrongly, in order to spend what you get on your pleasures. Adulterers! Do you now know that friendship with the world is enmity with God? Therefore whoever wishes to be a friend of the world becomes an enemy of God. Or do you suppose that it is for nothing that the scripture says, "God yearns jealously for the spirit that he has made to dwell in us"? But he gives all the more grace; therefore it says, "God opposes the proud, but gives grace to the humble."

James 4:1-6

I am reading (Simone Weil's) essays as a part of my Lenten reading...She says that we "...must experience every day, both in the spirit and the flesh, the pains and humiliations of poverty...and further we must do something which is harder than enduring in poverty, we must renounce all compensations: in our contacts with the people around us we must sincerely practice the humility of a naturalized citizen in the country which has received us."

I keep reminding the young people who come to work with us that they are not naturalized citizens...They are not really poor. We are always foreigners to the poor. So we have to make up for it by "renouncing all compensations..."

Dorothy Day, from The Dorothy Day Book, p. 11.