MEMENTO, homo, quia pulvis es, et in pulverem reverteris.
Remember, human, that you are dust, and to dust you will return
Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man's gift and that man's scope
I no longer strive to strive towards such things
(Why should the aged eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?
Because I do not hope to know again
The infirm glory of the positive hour
Because I do not think
Because I know I shall not know
The one veritable transitory power
Because I cannot drink
There, where trees flower, and springs flow, for there is nothing again
Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessed face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice
And pray to God to have mercy upon us
And I pray that I may forget
These matters that with myself I too much discuss
Too much explain
Because I do hot hope to turn again
Let these words answer
For what is done, not to be done again
May the judgement not be too heavy upon us
Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care
Teach us to sit still.
Pray for us sinners now and at the hour of our death
Pray for us now and at the hour of our death.
Blessed sister, holy mother, spirit of the fountain, spirit of the garden,
Suffer us not to mock ourselves with falsehood
Teach us to care and not to care
Teach us to sit still
Even among these rocks,
Our peace in His will
And even among these rocks
And spirit of the river, spirit of the sea,
Suffer me not to be separated
And let my cry come unto Thee.
--T.S. Eliot, "Ash Wednesday," The Complete Poems and Plays 1909-1950 (New York: Harcourt, Brace & World, 1971), pp. 60-61, 67)
HEAR my prayer, O Lord;
let my cry come to you.
Do not hide your face from me
in the day of my distress.
Incline your ear to me;
answer me speedily in the day when I call.
My days pass away like smoke,
and my bones burn like a furnace.
My heart is stricken and withered like grass;
I am too wasted to eat my bread.
Because of my loud groaning
my bones cling to my skin.
I am like an owl of the wilderness,
like a little owl of the waste places.
I lie awake;
I am like a lonely bird on the housetop.
All day long my enemies taunt me;
those who deride me use my name for a curse.
For I eat ashes like bread,
and mingle tears with my drink,
because of your indignation and anger;
for you have lifted me up and thrown me aside.
My days are like an evening shadow;
I wither away like grass.
But you, O Lord, are enthroned forever;
your name endures to all generations.
You will rise up and have compassion on Zion,
for it is time to favor it;
the appointed time has come.
For your servants hold its stones dear,
and have pity on its dust.
I said in my heart with regard to human beings that God is testing them to show that they are but animals. For the fate of humans and the fate of animals is the same; as one dies, so dies the other. They all have the same breath, and humans have no advantage over the animals; for all is vanity. All go to one place; all are from the dust, and all turn to dust again.
ASHES, ashes, all fall down. How could I have forgotten? Didn't I see the heavens wiped shut just yesterday, on the road walking? Didn't I fall from the dark of the stars to these senselit and noisome days? The great ridged granite millstone of time is illusion, for only the good is real; the great ridged granite millstone of space is illusion, for God is spirit and worlds his flimsiest dreams: but the illusions are almost perfect, are apparently perfect for generations on end, and the pain is also, and undeniably, real. The pain within the mill-stones' pitiless turning is real, for our love for each other-for the world and all the products of extension-is real, vaulting, insofar as it is love, beyond the plane of the stones' sickening churn and arcing to the realm of spirit bare. And you can get caught holding one end of a love, when your father drops, and your mother; when a land is lost, or a time, and your friend blotted out, gone, your brother's body spoiled, and cold, your infant dead, and you dying: you reel out love's long line alone, stripped like a live wire loosing its sparks to a cloud, like a live wire loosed in space to longing and grief everlasting.
--Annie Dillard, Holy the Firm, HarperCollins, 1977.
Historic Christianity rose into a high and strange coup de théatre of morality -- things that are to virtue what the crimes of Nero are to vice. The spirits of indignation and of charity took terrible and attractive forms, ranging from that monkish fierceness that scourged like a dog the first and greatest of the Plantagenets, to the sublime pity of St. Catherine, who, in the official shambles, kissed the bloody head of the criminal. Poetry could be acted as well as composed. This heroic and monumental manner in ethics has entirely vanished with supernatural religion. They, being humble, could parade themselves: but we are too proud to be prominent. Our ethical teachers write reasonably for prison reform; but we are not likely to see Mr. Cadbury, or any eminent philanthropist, go into Reading Gaol and embrace the strangled corpse before it is cast into the quicklime. Our ethical teachers write mildly against the power of millionaires; but we are not likely to see Mr. Rockefeller, or any modern tyrant, publicly whipped in Westminster Abbey.
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